They have an emotional quality they are anarchic smugglers on the border between conscious and subconscious. ![]() Not unlike a Rorschach test or psychedelic visuals these alien everyday compression artefacts are capable of expression. The focus on compression artefacts sets them apart from other glitch aesthetics. ![]() What resurfaces here from the subconscious of the means of production are compression artefacts, objects born from the everyday algorithms of heavy data compression. It’s actually a very basic artisic technique in the tradion of randomness and the surfacing display of artistic means. ![]() “Datamoshing” is the hip term for the effects achieved by removing keyframes from a videofile. Today I’d like to make the proposal that the aesthetics of “datamoshing” are kinda very psychedelic.
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